Busch / Sarastro Quartett / Vecchi: String Quartets / Flute Quintet
Busch / Sarastro Quartett / Vecchi: String Quartets / Flute Quintet
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Busch / Sarastro Quartett / Vecchi
Label: Cpo Records
Product Type: COMPACT DISCS
UPC: 761203527922
Genre: Classical
Adolf Busch was not only the leading German violinist during the years between the two World Wars but also wrote more than a hundred works in his capacity as a composer. Following our first recording success with Busch's trios and piano quartet, the Sarastro Quartet now turns to more chamber music by this congenial composer. Busch's point of departure in harmonic language was formed by the music of Max Reger, a friend of his during the last years of the Weiden composer's life. At the same time, Busch's lifelong occupation with chamber music from Mozart to Brahms endowed his oeuvre with a measure of clarity and balance. Some of his themes and motifs might also have been found in Dvorák; his mysteriously scurrying sound pictures, in Mendelssohn; his rhythmic impulses, in Beethoven; and his lyrical intensity, in Schubert or Schumann. The fact that Busch was not afraid to engage in stylistic retrospection meant that critics from his times leveled charges against him, but what in the end has remained decisive is the manner in which Busch formed his syntheses, his sovereign command of the musical material, and the personal expressive depth and humor in his music.
Tracks:
