Dutilleux / Vittoria Quartararo: Complete Music for Piano Solo
Dutilleux / Vittoria Quartararo: Complete Music for Piano Solo
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Dutilleux / Vittoria Quartararo
Label: Piano Classics
Product Type: COMPACT DISCS
UPC: 5029365101677
Genre: Classical
Though Dutilleux began composing at an early age and undertook the rigorous course of study at the Paris Conservatoire, culminating in the much sought-after Prix de Rome in 1938 with a cantata, he regarded his Piano Sonata of 1946-8 as an Opus 1. This attitude was characteristic of a remarkably fastidious and self-critical composer who dedicated his life to composition -and the nurturing of young composers -and yet whose published output is influential out of all proportion to it's size. He wrote the sonata for the pianist Geneviève Joy whom he married in 1946. The musical language is as much modal as tonal, owing as much to Bartók's methods of musical organization and the 19th-century Germanic concept of the large-scale masterpiece as contemporary developments in harmony. Everything he wrote seems to repudiate the commonly held idea that French music is essentially frivolous and charming, but Dutilleux's music can smile and relax, too: while working at French radio he composed a series of short pastiche pieces as air-filler, later compiling them as a suite, Au gré des ondes. Blackbird is Dutilleux's sole trespass on the territory of his contemporary Messiaen: knowingly brief and non-naturalistic by comparison, a portrait of the blackbird's soul more than it's song. The Debussian heritage of painting on the piano comes to the fore on the set of Three Preludes composed between 1973 and 1988, while Resonances is a study in timbre built with the composer's individual technique of pivot notes and chords. As Vittoria Quartararo observes in her booklet introduction, 'the music of Dutilleux often seems to shift towards a visual level. While the verticality of piano chords can resonate like light does on a black canvas, one's gaze becomes more horizontal, distant, and at times visionary, detecting the reverberation of a sound transformed in liquid crystal.'
Tracks:
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.