Rival Consoles: Howl
Rival Consoles: Howl
Format: VINYL LP
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Rival Consoles
Label: Erased Tapes
Product Type: VINYL LP
UPC: 4050486110867
Genre: Electronic
'Howl' is the new album by Rival Consoles, London-based electronic producer Ryan Lee West, set for release through Erased Tapes on 16th October 2015. Foremost a guitarist, growing up listening to rock rather than club music, West continues to strive towards finding a more personal balance between music for home listening and larger spaces. The title track was inspired by the howl-like tones he developed by running synthesizers through guitar pedals. "By slowly drifting the pitch through distortion and delays, the result sounded like vocal cries - something which was perfect for the song and this inspired me to take on a darker set of tones across the whole album. It was made over the past few years, inspired by capturing small performances on synthesizers, touring with some of my musical heroes, playing with feedback when I should have been catching a train, sampling my voice in unexpected conditions and recording textures in different countries. " The album explores a wide range of emotions; from the dissonance eruptions and primal rhythms in 'Howl', to the mournful improvisations of '3 Laments', which features a sample of his own voice. Alongside his performances on Moog, Prophet, tape delay and guitar, West enlisted the help of drummer Fabian Prynn for 'Low' and cellist Peter Gregson for 'Walls', both long-time collaborators of Erased Tapes peers Douglas Dare and Michael Price. "This album features a lot of my own recordings, rather than simply using samples that I have sitting on my computer. This gives the album a more personal feeling, which is very important to me because I think we live in a time where there is just so much recorded material out there, and accessible at a click of a button, that the joy of recording your own drum sounds, your own percussion, your own claps, seems redundant - but it's not! That should be a priority because it's often more interesting and makes you choose a different creative path. "It's rarely reported that Rival Consoles was Erased Tapes' very first signing, with a CDR of early demos under the name Aparatec that inspired founder Robert Raths to start the label. Indeed West has more in common with his contemporaries Nils Frahm and Peter Broderick than some might think. His consistent desire to create a more organic, humanized sound sees West often draft early ideas on traditional, acoustic instruments like the guitar or the piano; forming pieces that capture a sense of songwriting behind the electronics. "I try to create atmosphere and mood throughout with a less-is-more approach to composition. I'm always trying to find an exciting reaction from a few ingredients, because that is magic to me. To make something interesting with tons of layers of effects just doesn't excite me. But to make something interesting with just three layers requires a special alignment of sounds, ideas and timing. This is my most personal work to date, following on from 'Odyssey' and 'Sonne' which gave me the confidence to continue exploring my own ideas and approach to sound. The essence of this album was made with a few synthesizers, some guitar pedals and lots of cups of tea. I hope you'll enjoy it. "Having repeatedly performed at such prestigious venues as the Tate, and having created a bespoke audio-visual performance for Boiler Room at the V&A Museum, the blueprint for West's current live A/V show was formed. Featuring self-programmed visuals in Max/MSP has earned him appearances at music festivals around the world including Mutek, Decibel, Big Ears and Berghain's Pop-Kultur Festival, as well as tours in support of Clark, Nosaj Thing, Luke Abbott and Kiasmos. September 2015 will see West perform his live A/V Rival Consoles shows at Mutek Bogotá in Colombia, followed by Mutek Mexico and additional North American headline shows in October.
Tracks:
1.1 Howl
1.2 Ghosting
1.3 Afterglow
1.4 Pre
1.5 Walls
1.6 Low
1.7 3 Laments
1.8 Morning Vox
1.9 Looming