Debussy / Farinelli / Magadis Ensemble: Musique de Scene Pour Les Chansons de Bilitis

Debussy / Farinelli / Magadis Ensemble: Musique de Scene Pour Les Chansons de Bilitis

Debussy / Farinelli / Magadis Ensemble: Musique de Scene Pour Les Chansons de Bilitis

Format: CD

Regular price $13.99
/

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Title: Musique de Scene Pour Les Chansons de Bilitis
Artist: Debussy / Farinelli / Magadis Ensemble
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421956787
Genre: Classical Artists

After setting three of his friend Pierre Louÿs's 1894 prose poems in Les Chansons de Bilitis, Debussy was asked by him to provide incidental music for a mimed recitation of another 12 poems. A single performance was given on 7 February 1901, after rehearsals of which Louÿs wrote: 'I'm spending every afternoon with naked women. It's nice.' The poems were spoofs on those by Sappho, supposedly a friend of the non-existent Bilitis, and a review praised the music as 'ingeniously archaic'. Debussy's scoring evokes the imagined sound of ancient Greece: the two flutes represent the aulos, associated with satyrs and the Dionysian cult; and the two harps speak for the kythara, associated with Apollo. Interwoven with the music is the bright sound of the celesta, the metal instrument patented by Auguste Mustel in 1886 that constitutes a meeting point between the Apollonian and the Dionysian. The missing celesta part of the incidental music, no doubt taken by Debussy himself, was recreated by Arthur Hoérée. In 1914 Debussy reworked passages of the music in his Épigraphes antiques for piano duet. Although the Chansons and the Epigraphes have often been recorded, they are very rarely recorded together with the incidental music, making this new album a uniquely cohesive and attractive album presenting Debussy at his most sensuous and Orientalist. There is a postlude to the album which continues it's theme with Syrinx for solo flute, Debussy's dreamy evocation of the god Pan that also had it's origins in music for the stage. Distinguished Italian musicians have joined forces to form the Magadis Ensemble. The ensemble's flexible line-up and wide repertoire focuses on vocal and instrumental chamber music by 20th- and 21st-century composers such as Debussy, Ravel, Dallapiccola and Scelsi.

Tracks:


Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
Recently viewed