Handel / Sutherland, Joan / Greevy, Bernadette: Handel Arias

Handel / Sutherland, Joan / Greevy, Bernadette: Handel Arias

Handel / Sutherland, Joan / Greevy, Bernadette: Handel Arias

Format: CD

Regular price $17.99
/

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Title: Handel Arias
Artist: Handel / Sutherland, Joan / Greevy, Bernadette
Label: Decca/Eloquence
Product Type: COMPACT DISCS
UPC: 028948247592
Genre: Classical Artists

A newly compiled anthology of Decca recordings on Eloquence surveys the healthy state of Handel singing in England in the 1960s, before this music became the preserve of musicians and singers within the period-instrument movement. This generous (145-minute) collection is based around a pair of newly re-mastered recital albums made by the contralto Bernadette Greevy and the bass Forbes Robinson. Greevy was a true contralto in the tradition of Kathleen Ferrier, Helen Watts, Janet Baker and Norma Procter. Her 1965-56 recital was drawn from a wide range of Handel's Italian operas (Ottone, Partenope, Alcina, Admeto, Rodelinda, Rinaldo, Atalanta), and it displayed the richness of her voice to fullest advantage, as well as formidable vocal technique and excellent Italian diction. Robinson's 1966 recital represents a wide spectrum of the composer's music in opera, ode, masque and oratorio from 1719 through the 1740s, including familiar favourites ('O ruddier than the cherry' in Acis and Galatea) alongside much rarer delights such as 'Si, tra i ceppi' from the early Berenice.

Tracks:
1.1 Ottone: Vieni, O Figlio
1.2 Partenope: Voglio Dire
1.3 Alexander Balus: Convey Me to Some Peaceful Shore
1.4 Alcina: Verdi Prati
1.5 Ottone: La Speranza
1.6 Admeto: Cangio D?Aspetto
1.7 Rodelinda: Dove Sei
1.8 Rinaldo: Lascia Ch?Io Pianga
1.9 Atalanta: Care Selve
1.10 Clori, Tirsi E Fileno: Come la Rondinella
1.11 Alcina: Tornami a Vagheggiar
1.12 Alcina: Ombre Pallide
1.13 Giulio Cesare: V?Adoro, Pupille
1.14 Giulio Cesare: Da Tempeste Il Legno Infranto
1.15 Samson: With Plaintive Note
1.16 Samson: Let the Bright Seraphim
2.1 Esther: Tune Your Harps to Cheerful Strains*
2.2 Esther: Turn Not, O Queen, Thy Face Away*
2.3 Alexander?S Feast: Revenge, Timotheus Cries
2.4 Ezio: Se Un Bell?Ardire
2.5 Susanna: Peace Crown?D with Roses
2.6 Hercules: The God of Battle
2.7 Acis and Galatea: O Ruddier Than the Cherry*
2.8 Theodora: Wide Spread His Name
2.9 Judas MacCabaeus: Arm, Arm Ye Brave*
2.10 Berenice: Si, Tra I Ceppi*
2.11 Semele: Leave Me, Loathsome Light
2.12 Alcina: Pensa a Chi Geme
2.13 Samson: Honour and Arms
Recently viewed