Mendelssohn / Schubert / Tedesco: Lieder
Mendelssohn / Schubert / Tedesco: Lieder
Format: CD
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Mendelssohn / Schubert / Tedesco
Label: Stradivarius
Product Type: COMPACT DISCS
UPC: 8011570372734
Genre: Classical Artists
It is indeed a pleasure to find myself writing the introduction to this record programme, the result of an extended gestation spanning more than a decade of my musical research. The common thread of this project is the search for a personal reflection in the mirror of the anthropomorphic musical instrument par excellence, the human voice. Finding a parallelism between vocal cords and guitar strings, by arranging originally vocal works. This primordial and initiatory sound in the communication between living beings is here understood as a medium that goes under the musical epidermis, towards a more anthropologically horizontal pulsation and resonance. Over the centuries, from the Gregorian chant onwards, we have witnessed a fervent "musically oriented" approach to sound and metrics, in favour of instrumental performance and dance. However, in my experience, the most effective musical expressions have always been characterised by a communicativeness that goes beyond the instrument, revealing an expressive flow that, unmediated, takes us back to the apparent naturalness of the vocal expression. Similarly, from the opposite perspective, it was enlightening for me to listen to Carmelo Bene's recordings and discover that Valerio Binasco studied The Tempest using the metronome, to get in contact with "the musicality of speech". The intention to interbreed with the human voice has been and still is for me an inexhaustible source of inspiration. This research, which can be extended to compositions of all epochs, is presented here in a compact version, through the arrangement of works by two authors belonging to German Romanticism.
Tracks:
1.1 Schwanengesang, D. 957: No. 4. Ständchen (Serenade) (Arr. G. Copiello for Brahms Guitar) [04:02]
1.2 Der Wanderer, D. 489 (Arr. G. Copiell O for Brahms Guitar) [04:48]
1.3 Schwanengesang, D. 957: No. 1. Liebesbotschaft (Arr. G. Copiello for Brahms Guitar) [03:26]
1.4 Die Schöne Müllerin, Op. 25, D. 795: No. 6. Der Neugierige (Arr. G. Copiello for Brahms Guitar) [04:14] 5. Schwanengesang, D. 957: No. Aufenthalt (Arr. G. Copiello for Brahms Guitar) [04:34]
1.5 Winterreise, Op. 89, D. 911: No. 24. Der Leiermann (Arr. G. Copiello for Brahms Guitar) [02:46]
1.6 Lieder Ohne Worte (Songs Without Words), Book 1, Op. 19B: No. 3 in a Major, Op. 19B, No. 3, MWV U... [03:10]
1.7 No. 30 in a Major, Op. 62, No. 6, MWV U161, "Frühlingslied" (Spring Song) [02:41]
1.8 No. 27 in E minor, Op. 62, No. 3, MWV U177, "Trauermarsch" [02:51]
1.9 No. 32 in F-Sharp minor, Op. 67, No. 2, MWV U145 [02:46]
1.10 No. 33 in B-Flat Major, Op. 67, No. 3, MWV U102 [02:38]
1.11 No. 34 in C Major, Op. 67, No. 4, MWV U182, "Spinnerlied" [02:19]
1.12 String Quartet No
1.13 N D minor, D. 810, "Death and the Maiden": II. Andante Con Moto (Arr. G. C... [13:32
