d'Eon: Foxconn / Trios

d'Eon SKU: 29231805
d'Eon: Foxconn / Trios

d'Eon: Foxconn / Trios

d'Eon SKU: 29231805

Format: VINYL LP

Regular price $22.98
/

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by hCaptcha and the hCaptcha Privacy Policy and Terms of Service apply.

Title: Foxconn / Trios
Artist: d'Eon
Label: Knives
Product Type: VINYL LP
UPC: 5060165482238
Genre: Electronic

Foxconn/Trios is a previously unreleased work originally recorded by d'Eon in 2012 during d'Eon's involvement with the Hippos in Tanks label. The first eight (of nine) tracks roll, stab, and skip through d'Eon's arsenal of sounds, presenting a more singular vision than d'Eon's previous releases. Their nearest contemporaries can be found in the studies of Mark Fell, post-Oversteps Autechre, late-period Oneohtrix Point Never, and the work of Lorenzo Senni. In d'Eon's words, the tracks freely and irregularly travel both forward and backward in MIDI-time. By putting together small arrangements using low sample-rate soundfonts in a tracker, and by writing short loops that are legible both forwards and backwards, the MIDI information can be traversed in any arbitrary direction at any arbitrary intervals and still be harmonically and contrapuntally sound. Ordinary rhythmic patterns are inherently legible regardless of the firing order of events because of a snare's inherent role as the up beat and a kick's as the down beat. If all notes in a phrase and all chords in a progression work equally well with their neighbors before them and their neighbor after, the direction of the clock is irrelevant. If those conditions are met, a 32-bar, two- three- or four-chord pattern with a single melody is easily made into a fully through-composed piece of music that could continue for hours without any pattern repetition at all. The many facets of the sound begin to unfold at the end, when the ninth and final track, Foxconn II, leaves the album's dominant technique behind and rewrites the material into an instrumental R&B track. Though d'Eon uses the same method throughout the first eight tracks, the simultaneous occurrence of complex harmonic progressions produces a plethora of moods and reveals d'Eon's ability to combine the radically novel and original with the familiar and more tangible. d'Eon cinematically takes elements from the past and, with an elegant violence, rapidly animates them into the future, shaping the path toward what's to come. This is the third release on Kuedo and Joe Shakespeare's Knives label. Mastered and cut by Matt Colton. Artwork by Tobias Madison.

Tracks:


Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
Recently viewed