Fritch, William Ryan: New Words For Old Wounds
Fritch, William Ryan: New Words For Old Wounds
Format: CD
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Artist: Fritch, William Ryan
Label: Lost Tribe Sound
Product Type: COMPACT DISCS
UPC: 708527031605
Genre: Electronic
Limited edition comes housed in a 7.5" x 5.5" panoramic gatefold case made of heavy stock. The editions were printed on an antique Heidelberg press by the world renowned Stumptown Printers based in Oregon. The artwork features a series of incredibly detailed ink paintings from Sail (uselessarm). Each edition comes with a glass mastered matte finished CD, and a double sided lyric insert, and digital download. Over the course of the twelve songs that make up New Words for Old Wounds, the 2016 release from William Ryan Fritch, the listener is given both a scintillating reminder of the immersive, unmistakable sound worlds he created over the last two years and a welcome introduction to an expanded sonic palette and refined craft that points to where his music may go next. This parting gift to those that supported his ambitious eleven album subscription series, The Leave Me Sessions merges the colorful orchestration and high drama bombast of Heavy and Emptied Animal, the sweeping soundscapes of his finest works for film, and the restrained, nuanced textures of Empty to create its own distinct identity that is both haunting and infectiously exuberant. With guest vocal appearances by DM Stith, Powerdove, and Ceschi, New Words furthers the collaborative spirit found on Revisionist and seamlessly laces each of the artists unique talents into his compositions.
Tracks:
1.1 Awake (Feat DM Stith)
1.2 Cataclysm
1.3 Entirety
1.4 Floats By (Feat Powerdove)
1.5 Hold Tight (Feat. Ceschi)
1.6 Undefined
1.7 After (Feat. DM Stith)
1.8 Disregard
1.9 Conflicted
1.10 New Words, Old Wounds
1.11 The Little We Know
1.12 Vantage Point
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
