Alonso / Toldos: Solitaire
Alonso / Toldos: Solitaire
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Alonso / Toldos
Label: Ibs Classical
Product Type: COMPACT DISCS
UPC: 8436556421761
Genre: Classical Artists
This album aims to compile the most emblematic works of the end of the twentieth century while seeking to give more recent music a leading role because, fortunately, some of today's creators are of the same quality as the most firmly-established figures of the previous period. This is not work about the flutter-tonguing "traditional contemporary saxophone", display of the shallowest virtuosity, an accumulation of slaps or "strident multiphonics" used as effects, and which have been made an example of our feeblest "clichés". Quite the contrary, the intention has been to select a programme where various styles coexist while seeking to keep in common the use the individual composers make of the saxophone, of course using E.T.s, although never as techniques themselves but rather with the aim of offering a message, part of the differentiated language of each. This is the main feature of the current panorama, the quest for a sonic language original to each composer, using the saxophone as the medium, never as the beginning or end of the composition.
Tracks:
