May, Brian: The Brian May Collection
May, Brian: The Brian May Collection
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: May, Brian
Label: Dragon's Domain
Product Type: COMPACT DISCS
UPC: 712187486101
Genre: Soundtrack
One thing these films have in common is the music of Brian May. All of Antony I. Ginnane's horror/supernatural thrillers from this time period were scored by Brian May. For PATRICK, May composed a lush-sounding symphonic score supported by ARP synthesizer. His score for SNAPSHOT mixes dramatic orchestral music, with sublime romantic music and a fair amount of contemporary modern jazz. HARLEQUIN was scored for a variety of atonal motifs for strings, piano, and percussion, giving thematic unity through a lush, string-based love theme. THE SURVIVOR is arguably May's most Herrmannesque score, opening with a main theme that recalls Herrmann's Hitchcock collaborations. Born in Adelaide in 1934, Brian May (no relation to Brian Harold May of Queen) was one of the first composers to achieve international acclaim as an Australian composer and was best known as the composer of MAD MAX and THE ROAD WARRIOR (MAD MAX II). Moving into film music in a period of time when Australia's film industry was just beginning to take it's place among international film circles, May composed such notable film scores as RACE FOR THE YANKEE ZEPHYR, ROAD GAMES, CLOAK AND DAGGER, DEATH BEFORE DISHONOR, MISSING IN ACTION 2, SKY PIRATES, STEEL DAWN, DR. GIGGLES, FREDDY'S DEAD: THE FINAL NIGHT MARE and BLINDSIDE. He won the Australian Film Institute Award for best original score with MAD MAX; many other awards followed, including the Golden Award from the Australian Performing Rights Association. He continued to score films until 1993, composing music for more than 30 films and many hours of television, most of which he orchestrated himself. Sadly, the composer passed away in 1997 at the age of 63.
Tracks:
1.1 Opening Title Music
1.2 Madeline's Theme / Pursued
1.3 Angela's Decision
1.4 Locked Out
1.5 Darryl's Dilemma
1.6 The Gay Disco
1.7 Angela's Transformation
1.8 Sans Chemisette
1.9 Who's Sleeping in My Bed'
1.10 Bermuda Cool (Madeline Makes Her Move)
1.11 Goodbye to Madeline
1.12 Fright and Flight
1.13 Danger! the Whippy Van
1.14 Elmer's Place
1.15 Studio Fire
1.16 Exit Darryl
1.17 Closing Title Music
1.18 The Survivor - Main Title
1.19 Take Off and Crash
1.20 Romantic Mood / Ghost Girl
1.21 Scary Bit in the House
1.22 Scared
1.23 Back at Wreck
1.24 Memories
1.25 Frantic Drive to Hangar / Gruesome Discovery
1.26 Final Confrontation and Burning
1.27 Revelation and Finale
2.1 Harlequin - Main Title
2.2 Political Theme
2.3 Thunderclap / Alex Spits Blood
2.4 Sandra and Alex
2.5 The Cure
2.6 The Aerial / Did You Cure My Son'
2.7 Was It Assassination' / Alex Plays Dead
2.8 The Cliff
2.9 Wolfe and Sandra
2.10 Alice Disrobes / Shattering Windscreens
2.11 Wolfe Leaves Alex
2.12 Wolfe's Show of Magic
2.13 Wolfe's Face on the Tiles
2.14 Sandra and Alex Leave
2.15 Wolfe Escapes from Jail
2.16 Letting Out the Dogs
2.17 Wolfe on the Estate
2.18 March of the Marbles
2.19 The Set-Up
2.20 Wolfe's Death
2.21 Wolfe's Resurrection
2.22 Wolfe Killed Again
2.23 Wolfe Dumped
2.24 Wolfe Surfaces / End Titles
2.25 Patrick Suite
2.26 Snapshot Suite - Part One
2.27 Snapshot Suite - Part Two
