Hennix, Catherine Christer: Live at Issue Project Room

Hennix, Catherine Christer: Live at Issue Project Room

Hennix, Catherine Christer: Live at Issue Project Room

Format: CD

Regular price $19.98
/

Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by hCaptcha and the hCaptcha Privacy Policy and Terms of Service apply.

Title: Live at Issue Project Room
Artist: Hennix, Catherine Christer
Label: Important Records
Product Type: COMPACT DISCS
UPC: 793447543420
Genre: Electronic

Live At Issue Project Room is the first recording of the expanded configuration of Catherine Christer Hennix's Chora(s)san Time-Court Mirage just-intonation ensemble, documenting a 2014 performance at Issue Project Room. The ensemble of Hennix (voice) and Hilary Jeffery and Robin Hayward (brass) is expanded to include vocalists Imam Ahmet Muhsin Tuzer, Amir Elsaffan, and Amirtha Kidambi; brass players Paul Schwingenschlogl and Elena Kakaliagou; and Marcus Pal and Stefan Tiedje on electronics. Live At Issue Project Room is packaged in a deluxe letter pressed sleeve. She has created a sound that reliably taps into our subconscious and frees us from linear time -The Quietus. Catherine Christer Hennix (born 1948 in Stockholm) is an artist, poet, composer, and philosopher with a strong interest in logic and formal music theory. In late-1960s Sweden, she was a pioneer of experimenting with mainframe computer-generated composite sound wave forms, and in the 1970s she was a key protagonist of the Downtown School along with La Monte Young and Henry Flynt, with whom she has collaborated on numerous occasions. She pursued studies with master vocalist Pandit Pran Nath and led the just-intonation live electronic ensembles Hilbert Hotel and The Deontic Miracle. Hennix's interest in drone music and the meditative, trance-like state it induces is apparent in her exploration of similar music in many other cultures and traditions, including, for example, Japanese gagaku music and the 13th-century vocal music of Perotin and Leonin. In 2003 she returned to computer-generated composite soundwave forms or soliton(e)s, of which Infinitary Composite Sound Wave Form Composition Soliton(e) Star (2003-present) was the first result. She subsequently formed the Choras(s)an Time-Court Mirage just-intonation ensemble; in 2012, Important Records released a performance by this ensemble of Blues Dhikr Al-Salam (Blues Al Maqam) as Live At The Grimm Museum Volume One (IMPREC 354CD). In 2012 Henry Flynt asked Hennix for a new, expanded realization of an Illuminatory Sound Environment for an installation at the ZKM in Karlsruhe, Germany, for his Henry Flynt. Activities 1959 - exhibition. In response Hennix realized a four-channel composition, Rag Infinity/Rag Cosmosis, her first four-channel computer-assisted composition since 1969.

Tracks:
1.1 Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis - Catherine Christer Hennix
Recently viewed