Davis, John Blind: Complete Recorded Works Vol. 1 (1938-1952)
Davis, John Blind: Complete Recorded Works Vol. 1 (1938-1952)
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Davis, John Blind
Label: Document
Product Type: COMPACT DISCS
UPC: 714298564723
Genre: Blues
Although Blind John Davis was an active session pianist in the 1930s and 1940s, working with artists like Jazz Gillum, Casey Bill Weldon, Memphis Minnie, and was an architect of the Chicago blues style through his work with Big Bill Broonzy and Sonny Boy Williamson, Chicago native John Henry Davis, he remained relatively unknown in the U.S. throughout his career. Davis was a solidly professional player, and his approach embraced nearly all aspects of the American piano styles, from blues and jazz to straight pop and R&B, always with a bright, almost leisurely, sound. This collection from Document Records gathers up some of his early sides as a bandleader (his later recordings were mostly done in Europe, where he maintained a large and loyal following), and they show both his versatility and his remarkable ability to make everything sound offhand, comfortable, and slightly jazzy traits that figured in his mature style, which could easily be termed as lounge blues. Highlights here include the explosive yet controlled "Anna Lou Breakdown", the measured and gentle vocal on "No Mail Today" and the soaring and gliding "Magic Carpet". Davis was seldom flashy, so it is easy to miss the subtle artistry he brought to everything he played, and he remains one of the most unsung of America's blues-based piano greats. He is best known for his work with others but is reputed to have been a little disdainful of the blues. This wouldn't be surprising of an artist who was clearly versatile, even fairly eclectic, and who seems to have had a broad musical education (if not necessarily a formal one). He didn't disdain blues as material for his own records, although it is true that he may have been responding to the dictates of fashion rather than his own predilection
Tracks:
1.1 Jersey Cow Blues
1.2 Booze Drinking Benny
1.3 Alley Woman Blues
1.4 Got The Blues So Bad
1.5 I Love My Josephine
1.6 Anna Lou Breakdown
1.7 No Mail Today
1.8 Walkin' And Talkin'
1.9 My Red
1.10 Honey Babe
1.11 Telegram To My Baby
1.12 Your Love Belongs To Me
1.13 The Day Will Come
1.14 Magic Carpet
1.15 Paris Boogie (Woogie Boogie)
1.16 O Sole Mio
1.17 Sunrise Boogie
1.18 Rockin' In Boogie
1.19 Everybody Got The Blues
1.20 How Long Blues
1.21 Home Town Blues
1.22 Davis Boogie