Fahey, John / Cul De Sac: Epiphany of Glenn Jones
Fahey, John / Cul De Sac: Epiphany of Glenn Jones
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Fahey, John / Cul De Sac
Label: Thirsty Ear
Product Type: COMPACT DISCS
UPC: 700435703728
Genre: Rock
The project initially began with Geffen Records and was to be a collaboration between Fahey and young musicians influenced by his earlier work. When this idea later collapsed, Thirsty Ear Records producer Peter Gordon assembled the Cul de Sac/Fahey project. Cul de Sac had previously covered Fahey's song "The Portland Cement Factory at Monolith California" on their debut album Ecim. Glenn Jones, the band's leader and guitarist, became interested and influenced by Fahey's early music while still in high school. He describes the band's project with Fahey in great detail in the original liner notes. The rehearsals and sessions were the source of friction between Fahey and the band. Jones later called the making of the album an "ordeal" and described the relationships between the two parties as "musical antagonism". Fahey later claimed to have erased all the early tapes of the music Cul de Sac brought to the sessions, a claim Jones refutes in subsequent interviews. The final two tracks are spoken word recordings. The sessions also mark the first appearance of the Great Kooniklaster, an Art Deco object Fahey acquired, named, and placed in the studio to bring focus to the sessions. It later appeared as the title of the Fahey tribute album the Great Koonaklaster Speaks: A John Fahey Celebration.
Tracks:
1.1 Tuff
1.2 Gamelan Collage
1.3 The New Red Pony
1.4 Maggie Campbell Blues
1.5 Our Puppet Selves
1.6 Gamelan Guitar
1.7 Come on in My Kitchen
1.8 Magic Mountain
1.9 More Nothing
1.10 Nothing
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.