Hazlewood, Lee: Friday's Child
Hazlewood, Lee: Friday's Child
Format: VINYL LP
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Hazlewood, Lee
Label: 1972
Product Type: VINYL LP
UPC: 852545003745
Genre: Rock
Limited vinyl LP repressing of this 1965 album from the late great Pop/Country singer, songwriter, and record producer. Sanford Clark, Dean Martin and Nancy Sinatra, the ever-industrious Lee Hazelwood still found time to release his excellent third solo album in 1965. His second solo recording for the Reprise label, Friday's Child indulges his signature country-pop flare and pioneering use of vocal reverb. With electric guitar leads, harp and female backup vocals, the album finds Hazelwood embellishing his arrangements, though some of it's strongest moments draw their impact only from his rich timbre. Some artists develop their voice for years; Hazelwood's third album proves it was an innate and irrevocable gift. Weepy guitar leads kick off the title track and Hazelwood takes up the story of twinkling sorrow and bad luck. He often speckles pain with humor, but 'Friday's Child' is one of his most purely somber ballads. Elsewhere, with finger snaps, sparse backup vocals and Hazelwood's emotive intonation, the intro of 'Houston' alone could carry on entirely a cappella and still endure as a classic. The composition made a hit for Dean Martin, but the Friday's Child version shows Hazelwood's inimitable skill as a vocal stylist. Mostly lacking the dada-esque humor of his first two albums, Friday's Child places Hazelwood in league with the era's greatest traditional songwriters, though one for whom pop conventions were to be bucked and cast aside.
Tracks:
1.1 Fridays Child
1.2 Hutchinson Jail
1.3 By the Way
1.4 Four Kinds of Lonely
1.5 Houston
1.6 Sally Was a Good Girl
1.7 Since You're Gone
1.8 A Real Live Fool
1.9 I'm Blue
1.10 The Fool
1.11 That Old Freight Train
1.12 Me and Charlie