Elschenbroich, Leonard: Brahms Analogue
Elschenbroich, Leonard: Brahms Analogue
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Elschenbroich, Leonard
Label: Onyx Classics
Product Type: COMPACT DISCS
UPC: 880040422624
Genre: Classical
When the red light in Studio 2 at the famous Abbey Road Studios came on at the start of the recording sessions for Leonard Elschenbroich and Alexei Grynyuk's latest ONYX recording, the control room had a very different atmosphere. The recording was made using analogue technology - tape recorders, vintage microphones, and longer takes. At no point was the recorded material subjected to a digital process. Elschenbroich wanted to capture a specific sound for these sonatas; the recorded sound of the late 1950s and the 1960s was his goal. The result is a wonderfully intimate, warm yet clear sound, as if the musicians are actually in the room with the listener - not clinical, not a bright superficially impressive digital sound, but a sound that captures perfectly the best recorded sound of the golden years of the LP. Importantly, it is the sound by which the artist 'recognises' himself. As Elschenbroich writes in the notes 'the listener only needs one pair of ears and the music must come to life in their unique space".
Tracks:
1.1 Brahms: Cello Sonata No.1 in Emin Op.38 - I Allegro Non Troppo
1.2 Brahms: Cello Sonata No.1 in Emin Op.38 - II Allegreeto Quasi Menuetto
1.3 Brahms: Cello Sonata No.1 in Emin Op.38 - III Allegro
1.4 Brahms: Cello Sonata No.2 in Fmaj Op.99 - I Allegro Vivace
1.5 Brahms: Cello Sonata No.2 in Fmaj Op.99 - II Adagio Affetuoso
1.6 Brahms: Cello Sonata No.2 in Fmaj Op.99 - III Allegro Passionato
1.7 Brahms: Cello Sonata No.2 in Fmaj Op.99 - IV Allegro Molto
1.8 Brahms: 4 Ernste Gesange - I Denn Es Gehet
1.9 Brahms: 4 Ernste Gesange - II Ich Wandte Mich
1.10 Brahms: 4 Ernste Gesange - III O Tod
1.11 Brahms: 4 Ernste Gesange - IV Wenn Ich Mitmenschen
