Pasquini / Claveduo: Il Teatro Del Suono

Pasquini / Claveduo SKU: 41930571
Pasquini / Claveduo: Il Teatro Del Suono

Pasquini / Claveduo: Il Teatro Del Suono

Pasquini / Claveduo SKU: 41930571

Format: CD

Regular price $18.99

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Title: Il Teatro Del Suono
Artist: Pasquini / Claveduo
Label: Recart
UPC: 5908285287398
Genre: Classical Artists

The autograph of Bernardo Pasquini's collection Sonate per uno o due Cembali con il basso cifrato is held at the British Library of London (Ms. Add. 31501, I). It consists of three small compositions written in intavolatura notation (Tastata, Corrente, Aria), as well as Sonatas and Bassi written in figured bass notation, so-called partimenti. The pieces are marked with dates from 6 May 1703 to 3 December 1704, suggesting the time when the work was created, or possibly copied. The Sonatas and Bassi form a substantial collection of 28 pieces, 14 of each type. The Sonatas are for two keyboard instruments, while the Bassi are for one. The recordings of the Sonatas presented on this album are fully written-out pieces, not a sound recording of improvisations. The partimento notation became a pretext for Joanna Solecka to develop different varieties of polyphonic texture, in accordance with the rules of counterpoint characteristic of the composer's period. In the presented realisations there is thus room for canon, fugue and free imitative polyphony, as well as for contrastive polyphony and nota contra notam texture. The realization of the Sonatas in counterpoint style is a truly fascinating study of elaborate polyphony and composition, requiring insight beyond the ephemeral nature of improvisation. Hopefully the presented interpretations of Bernardo Pasquini's Sonate per due Cembali con il basso cifrato will take listeners not only on a journey through the world of Baroque contrapuntal techniques, but above all will touch their souls with their variety and depth of affect.


Recently viewed