Xuares / Amystis: Sacred Music
Xuares / Amystis: Sacred Music
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Xuares / Amystis
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421969541
Genre: Classical
?World premiere recordings of sacred music by a forgotten master of the Spanish Baroque. As maestro de capilla (Capellmeister/Music director) of the choir and music of the cathedrals in Seville and Cuenca, Alonso Xuárez (1640-1696) made valuable contributions to Spanish polychoral literature which have, as yet, barely been recognised beyond academic circles. This album of new recordings begins to bring his name to a wider audience with a selection of pieces discovered in the archives of Cuenca Cathedral, edited for performance and recorded by an ensemble with extensive experience in the field of the Spanish Baroque. The resulting portrait of Xuárez reveals a remarkably individual figure, pushing the boundaries of form and harmony for his time but always beautifully conceived for the rich forces at his disposal. Little is known of Xuárez's early life and formation. His father probably educated him in music, at least until he became a pupil of Tomás Micieces in the late 1650s. By 1664, his talents were sufficiently developed as to be worthy of the post of music director in Cuenca. He appears to have retained some influence over the musical organization there once he moved to Seville in 1675, and then returned to Cuenca in 1684. His surviving work, as represented here, embodies the Spanish polychoral style of the time, blending Italianate counterpoint with spectacular antiphonal writing conceived for multiple ensembles to fill the space of the cathedral. The Missa surge propera is written for a rich, seven-voice texture, and the motets are even more ambitious, exploiting the colours and effects made available by eight and even nine separate parts. The performances recorded here follow the style of the time in making use of instrumental accompaniment - not just organ but viola da gamba and harp. This is a superb addition to the distinguished Brilliant Classics discography of Amystis, which has already attracted international praise for it's adventurous repertoire and polished performances. 'Chenoll has an endearing way of letting his singers express the music with a natural flow free of effects.' (Fanfare - Comes, 95231). 'An original and enlightening album.' (Fanfare - 'Masters of the Spanish Renaissance, 96409).
Tracks: